Master Class with Diane Seuss (via Zoom)

NB: This class will be capped at 15 people. Please read all our course policies before registering for a class.

Please note that this workshop is now sold out! Thanks for all the interest. If you want to be put on the waiting list for this workshop, or have questions about other workshop options, please email ask@writerscenter.org

Diane Seuss is the author of six books of poetry. Her most recent collection is frank: sonnets (Graywolf Press 2021), winner of the PEN/Voelcker Prize, the Los Angeles Times Book Prize, the National Book Critics Circle Award, and the Pulitzer Prize. Still Life with Two Dead Peacocks and a Girl (Graywolf Press 2018), was a finalist for the National Book Critics Circle Award and the Los Angeles Times Book Prize. Four-Legged Girl (Graywolf Press 2015) was a finalist for the Pulitzer Prize. Wolf Lake, White Gown Blown Open (University of Massachusetts Press), received the Juniper Prize. Her sixth collection, Modern Poetry, is forthcoming from Graywolf Press in March 2024 and is available for preorder now. Seuss was a 2020 Guggenheim Fellow. She received the John Updike Award from the American Academy of Arts and Letters in 2021. Seuss was raised by a single mother in rural Michigan, which she continues to call home.

Diane Seuss’s signature voice―audacious in its honesty, virtuosic in its artistry, outsider in its attitude―has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft―ballad, fugue, aria, refrain, coda―and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor.

In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time’s deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? “It seems wrong / to curl now within the confines / of a poem,” Seuss writes. “You can’t hide / from what you made / inside what you made.” What she finds there, finally, is a surprising but unmistakable love.