One of fusion’s most virtuosic guitar soloists, John McLaughlin placed his blazing speed in the service of a searching spiritual passion that has kept his music evolving and open to new influences. Whether shredding on electric or simmering quietly on acoustic, McLaughlin’s intensity and underappreciated versatility have nearly always kept his playing vital, and his best moments — whether as a solo artist or bandmember — represent some of fusion’s greatest recordings.

ExtrapolationMcLaughlin was born January 4, 1942, in Yorkshire, England, and began playing guitar at age 11. Initially attracted to blues and swing, he worked with British artists like Georgie Fame, Graham Bond, Brian Auger, and Ginger Baker. McLaughlin formed his own band in 1968, and recorded the excellent debut Extrapolation in early 1969. Later that year he moved to New York to join Tony Williams’ groundbreaking fusion band Lifetime, and appeared on the classic Emergency! Through Williams, McLaughlin was invited to join Miles Davis’ band, and became an important part of fusion landmarks like In a Silent Way, Bitches Brew, and A Tribute to Jack Johnson. In 1970, wanting to explore acoustic and Eastern music, McLaughlin recorded the classic My Goal’s Beyond; he soon left Davis, and after one further solo album, Devotion, McLaughlin spent some time woodshedding.

The Inner Mounting Flame He re-emerged in 1971 as leader of the Mahavishnu Orchestra, a seminal band that did much to define and popularize early jazz-rock fusion, as evidenced by the albums The Inner Mounting Flame, Birds of Fire, and Visions of the Emerald Beyond. Pausing to record Love Devotion Surrender with Carlos Santana in 1972, McLaughlin led Mahavishnu until 1975. Returning to spiritual preoccupations on My Goal’s Beyond, he then formed Shakti, which fused acoustic jazz with Indian music over the course of three albums. McLaughlin returned to his solo career in the late ’70s, forming a backing outfit called the One Truth Band, and also recording the guitar trio albums Friday Night in San Francisco and Passion, Grace & Fire with fellow fusion burner Al di Meola and flamenco guitarist Paco de Lucia. As the ’80s went along, McLaughlin experimented with classical-jazz hybrid composing; there was also a short-lived Mahavishnu reunion in the mid-’80s.
Time Remembered: John McLaughlin Plays Bill Evans In the 1990s McLaughlin continued to record steadily in both electric and acoustic groups. He signed to Verve, where he would remain for 13 years. Some of the more notable albums from that period include the acoustic Time Remembered: John McLaughlin Plays Bill Evans in 1993; After the Rain with Elvin Jones and Joey DeFrancesco in 1995; and 1996’s The Promise, which featured the guitarist in a number of settings, including a reunion with his acoustic trio partners di Meola and de Lucia, and a trio with DeFrancesco and drummer Dennis Chambers. The drummer was also a part of McLaughlin’s final album of the decade, Heart of Things, a furious bout of electric jazz.

Remember Shakti: The Believer The 21st century found McLaughlin in another nostalgic mood, releasing Remember Shakti: The Believer, a live set featuring the guitarist (playing electric guitar) with electric mandolinist U. Shrinivas, kanjira and ghatam player V. Selvaganesh, and legendary tabla player Zakir Hussain. While it wasn’t a Shakti album proper, it nonetheless echoed that group’s intricate and amazing rhythmic and harmonic breakthroughs. The group toured and released Saturday Night in Bombay a year later. McLaughlin’s Euro-classical-leaning Thieves and Poets appeared in 2003. In 2004, WEA in Germany issued the massive 17-CD box set of McLaughlin’s Montreux Concerts, which featured performances recorded between 1974 and 1996. Industrial Zen, released in 2006, was a mixed-bag recording where the guitarist’s ambitions ran wild. It was his final album for Verve
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Floating Point In 2008 McLaughlin issued Floating Point, an extension of many of the concepts on Industrial Zen, on the Abstract Logix imprint. The final track on that album was entitled “Five Peace Band”; it served as the name for a supergroup assembled by McLaughlin and Chick Corea for a one-off world tour. The other members were saxophonist Kenny Garrett, drummer Vinnie Colaiuta, and bassist Christian McBride; an album of the same name was released in 2009 on Concord. To the One, issued in 2010, debuted his new 4th Dimension band, whose lineup included veterans of his other groups: Gary Husband on keyboards and drums, Etienne Mbappe on electric bass, and drummer Mike Mondesir. This group became a collaborative, creative anchor for the guitarist, much as the early Mahavishnu Orchestra had been.

Now Here ThisMcLaughlin resurfaced two years later with Now Here This. The album featured the lone change in the 4th Dimension lineup as drummer and vocalist Ranjit Barot replaced Mondesir. Barot had collaborated with the guitarist on Floating Point, but was long established and celebrated as a film composer, music director, arranger, and vocalist. He was also a longtime associate of filmmaker/composer A.R. Rahman. This group toured the world, and followed up with Now Here This in 2012. They were captured live on-stage during the last night of a tour at the Berklee College of Music; the set was released as The Boston Record in 2014.
Over the previous couple of years, McLaughlin had been in communication again with de Lucia in hopes of recording together. It never happened. The Spanish guitarist passed away in February of 2014. McLaughlin and 4th Dimension released Black Light in the fall of 2015. Among its tracks was the acoustic number “El Hombre Que Sabia,” a tribute to the flamenco master.

American guitarist Jimmy Herring is a musician’s musician. The North Carolina native has been playing guitar for close to 40 years and exhibits signs that he’s just getting started. A staple in the Jazz Fusion and Jam Band scene, Herring studied guitar at Berklee College of Music and the Guitar Institute of Technology. His playing style melds the influences of Jimi Hendrix’s raw emotion, the twang of Steve Morse, and the flowing phrases of jazz legends Charlie Parker and John Coltrane.

Herring was the founding member of seminal band Col Bruce Hampton and The Aquarium Rescue Unit along with Jeff Sipe, Oteil Burbridge, Matt Mundy and Bruce Hampton himself. In 1997 he joined Butch Trucks, Derek Trucks, John Popper, Kofi Burbridge, Oteil Burbridge, Marc Quinones to form Frogwings after which he joined Jazz is Dead with Billy Cobham, Alphonso Johnson, T Lavitz. Jimmy was asked to join the legendary Phil Lesh as a part of his band which continued for good part of the decade. During his tenure there, he was asked to join the The Other Ones, the project that comprised of Grateful Dead members. During this time Jimmy also founded Project Z, an experimental instrumental trio with close friends Jeff Sipe and Ricky Keller. The band released two records under their name, the self-titled album in 2000 and Lincoln Memorial (Abstract Logix) in 2006

After the death of much loved and revered guitarist Mike Houser, Widespread Panic asked Jimmy to become a full time member. Jimmy continues to perform as the full time lead guitarist of the band to date.
Herring is featured on more than twenty records, and incredible has only released two solo records. In 2008, the humble guitarist broke away from working as a sideman with the release of his first solo endeavor Lifeboat (Abstract Logix). The highly melodic album boasts a personal side of Jimmy, unseen in his previous projects. With Lifeboat, Herring explored several styles of the Jazz and Fusion genre. Whether it was on his soulful, diminished blues, “Scapegoat Blues”, his passionate ballad “New Moon”, that reveals his Dregs influence, or his arrangement of the Disney classic the “Jungle Book Overture”, Herring was sure to share the sonic stage with his fellow musicians. The album showcased Jimmy’s writing and playing skills beyond his domain and became a favorite of his ardent fans as well as new fans like John McLaughlin, Chick Corea among others.

Jimmy second solo release Subject to Change Without Notice (Abstract Logix 2012), is a record that pushes Herring’s music to another level. Produced the legendary John Keane, Herring again surrounds himself with close friends to make a strong, uninhibited record featuring mostly all originals as well as rousing covers of Mahavishnu Orchestra’s Hope, George Harrison’s Within You, Without You and Jimmy McGriff’s Miss Poopie. It is obvious that Herring creates music simply out of love and respect for music. Herring demonstrates, without doubt, that his music and playing ability are continually growing, and that his music will thrill fans and fellow musicians alike.

Jimmy Herring will be extensively touring in 2012 in support of his new album.