First Prize in Universal Ballet Competition

Under the direction of Carole Alexis, Ballet des Amériques School & Company combines ballet training, dance education and performance. Students of the School receive intensive training in classical ballet, in modern and in contemporary dance as well as a well-rounded dance education (with classes in music, dance history, anatomy) in a comprehensive and integrated curriculum-based pre-professional program. The professional dancers of the Company of Ballet des Amériques perform original choreographies throughout the greater New York City area and increasingly throughout the world.

Carole Alexis’ work as a choreographer is deeply informed by her multicultural and intercontinental background and training on the one hand, and her interdisciplinary approach to performance on the other. In New York City, for example, she has choreographed and performed – both as a singer and a dancer – at the River to River Festival, the Festival de la Francophonie, at Carnegie Hall and at Lincoln Center with artists such as Harry Belafonte, Danny Glover, Kathy Engel, Michael Ratner, The Mighty Sparrow, Susan Sarandon. Taking her cue from a thought of Aimé Césaire, in 2011, Carole Alexis launched Ballet des Amériques, a new venture in dance training, education and performance intended to give a voice to the world’s various traditions of dance on the basis of classical ballet training, while self-consciously situating itself in the context of the Americas. The young company has already performed her most recent choreographies at the Festival de Fort-de-France in Martinique, the Journée internationale de la Francophonie at Florence Gould Hall, the Kate Wildish NYC Festival of Dance Schools and at the Emelin Theatre in Mamaroneck. Aesthetically and technically, the tradition of classical ballet broadly conceived to include its modern and contemporary successors offers Carole Alexis the broad range of language and richness of vocabulary that is well-suited as a basis for a choreography that is genuinely open to the world and all of its traditions: “I always find myself traveling between cultures, genres and techniques, engaged in a constant dialogue,” she explains. And indeed, the elements of her choreography as well as the multi-ethnic and multicultural composition of her Ballet des Amériques dance company give credence to this approach. Having grown up and received her training and education in France, the Caribbean and Africa, Carole Alexis at a young age chose the Béjart school to obtain the kind of formation that would form a solid basis from which to receive, appropriate and develop a rich variety of traditions and influences in music, dance and the performing arts in general. From a classical basis and drawing on multifarious influences, Carole Alexis creates works that spark our curiosity, that question and explore, yet that always give pride of place to the sheer physicality and visceral character of dance. Mme. Alexis’ approach to dance, performance and choreography was informed early on by the teachings of the three founders of the Negritude movement, Aimé Césaire, Léopold Sédar Senghor, and Léon-Gontran Damas. She believes that art expresses the infinite possibilities of humanity, a kind of universal consciousness, and that it should be a platform for cultural action leading to a reflection on the possibilities of social change. As an honors graduate of the Mudra School created by Maurice Béjart, Léopold Sédard Senghor and UNESCO, Carole Alexis excelled in all varieties of dance. She has toured in Europe, Africa and the Caribbean, dancing as a soloist, ensemble member and freelancer in many companies and productions including: Rick Odums Dance Company – Artistic Director: Rick Odums; Compagnie Du Corail, Soloist – Directors: Jean-Paul Césaire and Suzi Maniry; Les Ballets Jazz de Paris, Soloist – Artistic Director: Mervyn Francis; Moise Dance Company, Soloist – Artistic Director: Moise; Claire Tallia, Soloist – Artistic Director: Claire Tallia; Compagnie Irene Tassembedo. Carole Alexis studied with: Maurice Béjart, ballet and choreographic intensives; Nikoloz Makhateli, ballet; Bertrand Pie, ballet; Jorge Lefèbre, Director of the Royal Ballet of Wallonie, ballet and choreographic work; Solange Golovine, ballet; Jaqueline Fyneart, barre au sol; Larrio Ekson, modern dance and choreographic intensives; Julien Jouga, music; Goris Théâtre; Doudou NDiaye Rose, percussion; Jacqueline Rayet, Opéra de Paris, ballet; Savitri Nair, Bharata Natyam; Rick Odums, jazz and modern jazz; Peter Goss, Modern Jose Limon based; Jay Allen Augen, ballet; Andrej Glekovski, ballet; Yuriko Kikuchi, Director of the Martha Graham Company; Bruce Taylor, modern dance, modern jazz and choreographic work; Jean-Claude Zadith, ballet, Barre au sol, modern dance and choreographic work; Nina Valery, ballet; Germaine Acogny, African dance and choreographic work; Ray Phillips, modern Graham technique; Jaqueline Scott Lemoine, theater; Jean-Claude Lamorandière, contemporary and Afro-Caribbean dance. During her studies, Carole Alexis won numerous merit scholarships and the First Prize of Minolta Danse pour l’image. Her image has graced several magazine covers and she has been featured in many newspaper articles and magazines including the Encyclopédie de la Femme Antillaise. A documentary entitled Come Dance With Me, directed by Jean-Paul Césaire, portrays the early career of Carole Alexis when she was discovered by Aimé Césaire.